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“Moses, yer as useless as the hole in a doughnut; here quick gimme yer handkerchief till I mop up yer Par.”,

Billy read the note several times. He knew that Jimmy meant much more than the words said; it was his offer of the “olive branch.” And Billy, thinking over that miserable afternoon, wondered again how it had been possible for him to feel such murderous hate for anything living. And for Jimmy! His mate at school, in play! The picture came to him of Jackson crying, of Vilette,—yes, it was not strange he had been angry. But it was not his duty to punish; even if it had been, he knew he had forgotten Jackson and Vilette, forgotten everything except the rage of the fight. Why was it? Older heads than Billy’s have asked in sorrow that same question after the madness of some angry deed has passed to leave in its wake sleepless remorse.,

“Now, Moses, look sharp. Quit yer foolin’ an’ git busy,” called Mrs. Wopp, to the son and heir, whose toilet was not even begun. She herself was busy braiding Betty’s fair hair. “Be sure to warsh yer neck an’ ears. Larst party we was to, Mis’ Williams says to me, she says, ‘Is that your Moses settin’ on that bench? La me! he seems darker complected than I ever seed him before. I thort he were some Arfrican,’ she says. I hev always been a godly woman, Moses, ef I do go to a dance now an’ agin. Anyhow, the good book says there is a time to dance, but it aint got no patience with dirt. Git yerself cleaned up, then go an’ hook up the team.”,

“Jist as soon’s you finish yer dinner an’ yer noon chores, Moses, I want you to go weed them beets,” instructed Mrs. Wopp. “The weeds is chokin’ them out an’ I see the gophers has been eatin’ some o’ them, too.”

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Dim religious lights from stained glass windows shone through the church and falling on the boy chilled him to the marrow.,

“Oh, the kids’—boys’ dogs are mostly old or else too fat to run, like Bouncer. I guess the rabbit can get away,—too soon, perhaps. We’ll have you for Fair Ellen.”,

Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.,

“He went up to Tom—he was still crouching against the house—”